Free PDF Let the Bones Dance: Embodiment and the Body of Christ (Emerging Theology Initiative), by Marcia W. Mount Shoop
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Let the Bones Dance: Embodiment and the Body of Christ (Emerging Theology Initiative), by Marcia W. Mount Shoop
Free PDF Let the Bones Dance: Embodiment and the Body of Christ (Emerging Theology Initiative), by Marcia W. Mount Shoop
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About the Author
Marcia W. Mount Shoop received her Ph.D. in Religious Studies from Emory University. She is an ordained Presbyterian minister and serves as theologian-in-residence at University Presbyterian Church in Chapel Hill, North Carolina.
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Product details
Series: Emerging Theology Initiative
Paperback: 184 pages
Publisher: Westminster John Knox Press (September 2, 2010)
Language: English
ISBN-10: 0664234127
ISBN-13: 978-0664234126
Product Dimensions:
6 x 0.5 x 9 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#487,420 in Books (See Top 100 in Books)
Marcia Mount Shoop tells us something we all know on a physical level but can easily remain ignorant of intellectually. Using Albert North Whitehead's linguistic creation of the idea of 'prehenson', Shoop makes her case that what happens to us in life is cut deep in the grooves of physical memory. Our bodies know what has happened to us before our minds are able to analyze it.Shoop uses three experiences - rape, pregnancy and motherhood - to move us through a theological reflection on the worship life of the Christian Church.In reading her book I became aware for the first time intellectually why it is some things are difficult to explain. Some experiences can only be danced - tragically or triumphantly; they simply cannot ever be adequately described.
Powerful theology of the body and how to heal
This was perhaps the most interesting book I've read all year..Shoop tackles three different areas, rape, pregnancy, and motherhood and then develops each one in terms of tragic bodies, relational bodies, and ambiguous bodies.She then talks about how each of those embodiments encourage compassion, interdependence,and adventure.As a man I felt a bit uncomfortable at times reading LET THE BONES DANCE, but the author's call to involve our bodies in all of worship is a welcome one, and certainly a needed one.Well worth reading.
Mount-Shoop takes a terrible sexual violation as a young teen and a long debilitating pregnancy as a young wife to shape a construct that is very useful not only to feminist theology but to all of us and many situations. She maintains that violence and tragedy have the potential to make a person compassionate; pregnancy comes from relationship and fosters intimacy; motherhood creates ambiguity but amazingly ambiguity forces one to be innovative. Compassion, intimacy and innovation are precisely what this world needs from each of us. Even people who have not been sexually violated can relate to tragedy; the same with pregnancy--even if a person has never had children if they have been in relationship they know intimacy. But the most profound conclusion is that raising children creates ambiguity. The genius of the construct is that Mount-Shoop asserts that ambiguity leads us to be innovative. There are so many things for which there is no evident answer or solution. Innovation is the only positive road to take.
Marcia Mount Shoop exploits a mountain of biological information to paint a picture of the female body (especially as it negotiates its way through rape, pregnancy, and motherhood), not as a well-oiled machine but as an ingenious, almost magical self that feels its way forward in an ambiguous,interdependent world and underlies the so-called rational,historical self. She poetically parlays the implications of this self into a theology of compassion, interdependence,and adventure, then offers a critique of worship in the Reformed tradition to make room for a new worship that involves more of the self she has sketched. Often her chapters are preceded by poems of her own creation, which employ stunning language such as a reference to Mary's cervix. Even those who have some acquaintance with feminist writing will find this book eye-opening.
Let the Bones Dance is a book of unusual insight drawn from the raw data of lived faith. It is a rare blend and balance of joyful deliverance and good humor. Mount Shoop lays an impressive theological foundation from which she articulates her experience and her witness. Mount Shoop's skills present an inspiring read for a varied audience. Her book carries the reader through a journey of pain and celebration, as it opens our hearts to joyful expectation.
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